IASDR 2025

IASDR 國際設計研究大會自 2005 年首次在台灣舉辦後,睽違 20 年於 2025 年再度回歸,匯聚全球設計研究者、教育者與產業創新者,共同探討設計在快速變遷中的角色與未來。

IASDR 2025 的主視覺以「從引用到擴散的知識旅程」為核心概念,透過四個符號構成完整的畫面:
(1)引號:象徵研究從前人觀點出發,累積並延續知識。
(2)括號標註:代表學術脈絡的建立與引用關係的精準標記。
(3)樹狀結構:呈現研究過程中對資料的組織、分析與架構化思維。
(4)向外擴散的符號:象徵研究成果跨越文本與場域,進入全球交流的網絡。

主視覺透過簡潔且具有象徵性的符號語言,表達 IASDR 2025 作為國際設計研究平台的核心精神——以扎實研究為基礎,透過多元視角匯聚全球,進而向世界擴散新的洞見與可能性。


IASDR 2025
The IASDR International Conference has returned to Taiwan in 2025, twenty years after it was first held here in 2005. Bringing together design researchers, educators, and industry innovators from around the world, the conference explores the evolving role of design and its future in a rapidly changing world.

The visual identity of IASDR 2025 is built around the core concept of “A Knowledge Journey from Citation to Expansion.” Four symbolic elements come together to form a cohesive visual composition:

(1) Quotation Marks: 
Represent the starting point of research, grounded in referencing and building upon prior knowledge
(2) Parenthetical Citations: 
Signify the establishment of academic context and the precision of attribution within scholarly practice.
(3) Tree Structures: 
Reflect the organization, analysis, and structuring of data, illustrating the development of research frameworks and insights.
(4) Expanding Symbols: 
Point outward, representing the dissemination of research beyond texts and disciplines, and into global exchange.

Through a concise and symbolic visual language, the visual identity expresses the core spirit of IASDR 2025 as an international platform for design research—rooted in rigorous inquiry, enriched by diverse perspectives, and committed to sharing new insights and possibilities with the world.

client|台灣設計研究院 TDRI
art direction|早起設計
creative Planning|官佩萱
visual design|黃苡蓁
animation production|野人設計 Wild Design
project manager|吳昱緯 Phil Wu
3D Design|侯思妤 Szu-Yu Hou   
animation|侯思妤 Szu-Yu Hou   
photo|台灣設計研究院 TDRI
year|2025

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